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This exhibition brings together a body of abstract paintings that operate as seismographs of lived experience. The works are not illustrations of the visible world, but resonant fields where emotion, gesture, and material converge. Each painting is a palimpsest - layered, scarred, excavated - where the traces of destruction and renewal remain visible on the surface. 

The brushstroke here becomes more than a mark: it is a physical manifestation of thought, memory, and emotion, carrying within it the tension between accident and control, violence and tenderness, presence and erasure. The paintings embrace contradiction - chaos and calm, immediacy and endurance, intimacy and vastness - while resisting closure or containment. 

The exhibition foregrounds the painting process itself as an act of risk and revelation. Each work emerges from cycles of addition and subtraction, where form may briefly appear, only to be dissolved again into painterly flux. This approach allows painting to remain perpetually alive - never fixed, but always in negotiation with the artist's impulses and the viewer's perception. 

These paintings invite us to enter their unstable, layered realities - not to seek recognition of objects, but to experience the rhythms of emotion, the textures of time, and the intimacy of a body in motion. They stand as visual diaries, where every brushstroke is both confession and concealment, presence and disappearance.